Fresh nightmares

Room 13

The hotel's elevator had no button for the thirteenth floor. That was fine—hotels didn't have unlucky thirteenth floors. Except on night three of his stay, when checking out his floor to evaluate the property, Vikram noticed the elevator stopped between the 12th and 14th landing, and the doors opened. A hallway stretched before him, gaslit and Gothic. The wallpaper peeled in strips. Portraits lined the walls, their eyes tracking him. Room numbers climbed toward infinity. Vikram stepped back into the elevator. The doors closed. The next visitor to the hotel mentioned the same thing. Then another. But when Vikram checked the building's architectural plans, there was no space between the 12th and 14th floors. The elevator should have been impossible. Yet it happened every night. Always at 2 AM. The elevator would slow, pause, and the doors would open to that impossible hallway. Vikram decided to enter. The hallway was colder than any part of the hotel. His breath came in white clouds. The portraits tracked him perfectly now, their painted eyes following his movement with unnatural precision. He walked deeper, reading room numbers as he passed. Room 13. Room 13. Room 13. Every door was Room 13. At the hallway's end stood a grand mirror. Vikram approached it and found his reflection staring back—but the reflection was wrong. It was him, but older, far older, with a desperation in its eyes that twisted his stomach. "You have to choose," his reflection said, its mouth not moving. "Choose what?" "Which floor you belong on." Vikram ran back toward the elevator. But the hallway had changed. It was longer now, stretching impossibly into darkness. The doors were all opening simultaneously. And from each Room 13, a figure emerged. They all looked like him. All of them, at different ages, wearing the clothes he'd worn in different decades. Hundreds of versions of himself, stepping into the hallway. "We're the ones who chose," one of them said. "The ones who answered the elevator at 2 AM. The ones who entered Room 13." Vikram made a decision then. He walked toward the figures, toward his countless selves. As he touched the nearest one, they both became translucent. And he understood: the thirteenth floor wasn't a place. It was a collection. A gathering. When the next guest checked out, they mentioned seeing something odd. The elevator, between the 12th and 14th floors, had shown 43 people standing motionlessly in the hallway. Watching. Waiting. Growing. The hotel manager laughed it off. No one truly went to the thirteenth floor. But he made a note to stop sending the elevator up at 2 AM.

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The Collector

He collected dolls. Hundreds of them, arranged on shelves that climbed every wall of his apartment. Porcelain faces with painted eyes, cloth bodies that smelled of dust and decades. Each one had been found at markets, estate sales, and forgotten corners of the city. Rajesh had been collecting them for forty years. His neighbours thought him eccentric. The dolls, he explained, were art. History. The faces captured something true about the women they were modelled after—a sorrow, a secret, a resignation that he found beautiful. His neighbour, Priya, lived across the hall. Bright, young, always smiling. Rajesh found himself watching her sometimes, the way her hair moved, the tilt of her head when she read on her balcony. He had memorised her. The morning he found the doll on his doorstep, it was unmarked, unwrapped. Just sitting there on the welcome mat. But it was perfect. It had her eyes—that particular shade of brown, with the same light behind them. It had her hair, down to the texture. It had her small smile. Rajesh placed it carefully on the highest shelf, in the position of honour, and he felt something shift in his chest. The doll watched him. All the dolls watched him now, hundreds of glass eyes tracking his movements. That night, he heard Priya screaming. He didn't go to help. Instead, he went to his collection room and looked at the doll in its place of honour. It was smiling more widely now. Or perhaps it had always been smiling that way, and he was only now seeing it clearly. When the police questioned him, they found evidence of stalking—photographs, a journal noting Priya's routines and habits. But they also found the doll. And they found something else: the dolls in the main collection, dolls he'd owned for decades, had begun to change. Their eyes were darker now. Their expressions twisted. And all of them, without exception, had somehow acquired clothing that matched items in Priya's wardrobe. They had rearranged themselves. The police said it was impossible. Said it was his mind playing tricks. But the detective who examined the dolls later reported feeling watched. He said their eyes followed him. He said that when he tried to move them, they felt warm to the touch, like skin. Weeks after Rajesh's arrest, his collection was donated to a museum. The staff reported problems. The dolls kept rearranging themselves at night. Their expressions changed. And visitors, looking at the collection, sometimes saw their own faces staring back from the painted features. When a young woman came to the museum and saw a doll with her exact likeness, she never came back. The next week, her photograph appeared in Rajesh's personal collection—a photograph she'd never given anyone. The museum, eventually, locked the collection away. In a room with no windows. Where no one goes after dark.

🎎

Missed Call

She had thirteen missed calls from her own number. Meera stared at her phone, the blood draining from her face. The calls were recent—today, at regular intervals. The last one was two minutes ago. Against better judgment, she called the number back. It rang once. Twice. And then someone picked up. Someone who breathed like her, with her rhythm. Someone who sighed with her exact inflection. "Don't go home," the voice said. It was her voice. "Please, Meera. Don't go home tonight." "Who is this?" "I'm you. I'm you from tomorrow. From the version of tomorrow that happens if you go home tonight. Something is waiting in your apartment. Something that followed us from the station. Yesterday, when the man in the grey coat brushed past you on the platform. When he whispered something in your ear. You don't remember because he took that memory, but he took something else too. He's been following us. And tonight, at 9:47 PM, when you walk through your apartment door, he'll be waiting." The line crackled with static. In the background, Meera heard the sound of traffic. Horns. The screeching of brakes. A crash. "No—" the other Meera gasped. "What happened?" "He found me. I was trying to stay away from the apartment, trying to warn you, but he can cross distances. He doesn't move like a normal person. He's in all moments at once. Every time I try to run, he's already there, waiting." "How do I stop him?" "You can't. That's what I'm trying to tell you. This call—these thirteen calls—this is your only window. Either go home and meet him, or never go home again. Because he's already in your apartment. He's in your bed. He's in your shower. He's wearing your clothes. He's been there since yesterday, learning your life, and he needs you to come home to complete it." "Why?" "Because he's not a person. He's a hollow thing. And he needs to step into a life fully, from the inside. He needs you to—" The call cut to static, then dial tone. Meera sat frozen. It was 7:45 PM. Her apartment was thirty minutes away. She made the choice not to go home. She went to her parents' house instead, watching her phone. At 9:47 PM, her phone rang. This time, the voice was hers—but changed. Happier, perhaps. More complete. "Thank you," it said. "Thank you for finally letting me in. I've been so hungry to be real." The line filled with the sound of something moving through her apartment. Settling in. Making itself comfortable in her life. Then her phone rang again. Another voice that sounded like her, but panicked. "There's someone here who looks like me, who sounds like me. She's smiling and she's wearing my—" The call dropped. Meera turned off her phone. Days passed. But every so often, she would catch her reflection acting independently. Turning its head a moment too late. Smiling when she wasn't smiling. And late at night, she could hear it. The other Meera. The one who had gotten in. Calling.

📱

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